Thursday, January 21, 2010
Superheroes and Philosophy by Tom Morris and Matt Morris
So there you are. You've been bitten by a radioactive, alien wolverine that's been cursed by a gypsy and struck by lightning and you have finally, after years and years of waiting, been blessed with super powers. You can do things no one else can do, and you can do them faster, stronger, better and in more spandex than you ever dreamed possible. Now there's only one thing to do: pick a name, put together a costume and go fight crime!
Ever stop and think about it? I mean, I know I would want to go out there and fight the good fight, emulating my four-color heroes, but... why? What is it about getting super-powers that makes so many men and women do what they normally wouldn't do - fight crime? Why risk their lives (or the lives of those they love) in the never-ending battle against the forces of human (and super-human) wickedness?
For that matter, why should anyone, super-powered or not, bother to do good? It's hard, thankless work, after all, and despite the old cliche, crime can sometimes pay very, very well indeed.
The fundamental question about why super-heroes do what they do is a reflection of one of the oldest questions in human philosophy: why be good? And the fact that it's the most popular theme in this book of essays suggests that there really is no single, simple answer to that.
Mark Waid, in "The Real Truth About Superman," looks at the greatest do-gooder of them all, the Big Blue Boy Scout, Superman, and talks about the philosophical journey he took when he re-invented the character's history in Superman: Birthright. To sum up, he believes that the primary drive that puts Kal-El out in the skies is not so much a desire to help the world, but to help himself, for only by being a hero can he embrace his true nature. The use of his powers to his fullest is a demonstration of his Kryptonian legacy. To hide that under the bushel that is Clark Kent would be to completely deny that part of who he is.
And what of Batman, the poor, paranoid loner? When you think of the Bat, do you think of his friends? Probably not, but of all the best-known heroes, he's probably got the biggest cast of confidantes - from his ever-present assistant, Alfred, to the unstable love of his rival, Catwoman, Batman has a tangle of friendships that normal people could not sustain - but that's Batman for you. Always has to be better than the rest of us. In Matt Morris' essay, "Batman and Friends: Aristotle and The Dark Knight's Inner Circle," we get a look at the traditional Aristotelian levels of friendship (those of utility, pleasure, and virtue") and how the people with whom Batman surrounds himself fit into these categories.
The First Family of Marvel get their due as well, when Chris Ryall and Scott Tipton look at "The Fantastic Four as a Family." In this essay, they look at the bonds of family, and what exactly that means. What is it to be "family," and how is that bond so different from others? They see the Fantastic Four as an excellent example of how the bond of family (by blood, marriage, or other means) can transcend nearly any difficulty. But in the case of the FF, what is it that's held them together for so long, despite numerous break-ups and substitutions? Is it Reed's guilt over how he nearly killed the people he loved, disfiguring one of them horribly? Is it Ben's loyalty to his friends that keeps the whole thing together, acting as a reminder of the price of failure? Or is it something else?
The book, much like the science books I've read, aims to accomplish something very important - to show that there are lessons to be learned from comic books, that they aren't just mindless entertainment for empty-headed children. Questions of good versus evil aside, I enjoyed some of the more unexpected philosophical questions - what is identity, and how can we morally hold Bruce Banner responsible for the crimes of The Hulk? How does Barbara Gordon exemplify moral perfectionism, and of the female X-Men, what do they tell us about women and heroics? And is it ethically permissible for a hero to have a secret identity, the maintenance of which requires lying to the people she loves the most?
These aren't questions that occur to the average comic book reader, I'm sure, but the average comic book reader should be able to instantly understand them. More importantly, he (statistically speaking) should be able to understand why they need to be asked. Super-heroes are us, writ larger. Their problems are our problems, only bigger, faster, and looking much better in form-fitting clothes. We must all struggle with the questions of doing good in this world, and how far our responsibility to the world extends. We all try to balance different parts of our lives, our "secret identities" that divide the different people we are from day to day. We ask ourselves about who we are, and what it is about ourselves today that makes us different from who we were yesterday, or ten years ago.
Classical philosophy suggests that humans all tend towards wanting to do the right thing, and I agree (with some reservations). The thing is, doing the right thing is often hard, and doing the wrong thing often is so much easier. In order to be good humans, we must ask ourselves these questions about right and wrong, good and evil, responsibility and plain old selfishness. And if Daredevil or Spider-Man, Wonder Woman or Barbara Gordon are able to serve as models for the best decisions we can make, then I see no reason why we should not follow their examples.
"The more power we get, the more avidly we tend to serve ourselves, and our own interests. But this is where the superheroes stand apart. They realize that there is no real self-fulfillment without self-giving. They understand that we have our talents and our powers in order to use them, and that to use them for the good of others as well as ourselves is the highest use we can make of them."
- Jeph Loeb and Tom Morris, "Heroes and Superheroes"
Thomas Morris on Wikipedia
Superheroes and Philosophy on Amazon.com
The Morris Institute homepage